The Big Book of Japanese Giant Monster Movies Vol. 2 by John LeMay

Monster Kid Radio #373 - Byron Craft and The Myste.Monster Kid Radio #374 - Meet author and tokusatsu.

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The opening and closing song ' A Cosmic Nemesis' ( The Secret Origin of an Unknown Planetary Destroyer) appears by permission of King GhidoraĪll original content of Monster Kid Radio by Monster Kid Radio LLC is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License. Verne Langdon Zombie Mask and Related MerchandiseĪnnouncing the nominations for this year's Monster Kid Radio Monster Rally Retro Awards with Stephen D. Plus, Brenda returns to help with a healthy does of Feedback, and somewhere along the way, Derek talks about Monster Bash (because, really, when is he NOT talking about Monster Bash!).Įl Styggelse Contra Las Momias Del Ritmo. They also play a round of the Classic Five. See GAS HUMAN BEING NO.John LeMay's newest book - Terror of the Lost Tokusatsu Films: From the Files of The Big Book of Japanese Giant Monster Movies - is out now, and John is on Monster Kid Radio this week to tell Derek (and you) all about it! John and Derek discuss the book, John's background with these kinds of movies, and a few other things along the way.

This exhaustive filmography analyzes and examines the changes made to over 50 Japanese monster movies exported to America. Or, if new actors weren't interjected into the films, they might be re-edited and re-scored like GIGANTIS, THE FIRE MONSTER (1959) or GHIDRAH, THE THREE-HEADED MONSTER (1965).

The same fate befell many other Japanese monster movies such as ABOMINABLE SNOWMAN (1955) which became HALF HUMAN starring John Carradine (HOUSE OF DRACULA), and GAMERA (1965) which became GAMMERA, THE INVINCIBLE (1966) starring Brian Donlevy (QUARTERMASS 2). The most famous example of all will always be GODZILLA, KING OF THE MONSTERS (1956) which removed nearly forty minutes of the original footage and replaced it with twenty minutes worth of new scenes starring Raymond Burr (PERRY MASON). shores, the Japanese originals have rarely made it to America in their original forms. Since the very first dai kaiju eiga, GODZILLA (1954), made its way across the Pacific to U.S.

The Big Book of Japanese Giant Monster Movies Vol. 2 by John LeMay